1/14/2024 0 Comments Collatinus oath art![]() During which siege, the principal men of the army meeting one evening at the tent of Sextus Tarquinius, the king's son, in their discourses after supper, every one commended the virtues of his own wife among whom, Collatinus extolled the incomparable chastity of his wife Lucretia. Judith with the Head of Holofernes (c.LUCIUS TARQUINIUS (for his excessive pride surnamed Superbus), after he had caused his own father-in-law, Servius Tullius, to be cruelly murdered, and, contrary to the Roman laws and customs, not requiring or staying for the people's suffrages, had possessed himself of the kingdom, went, accompanied with his sons and other noblemen of Rome, to besiege Ardea.Madonna and Child with Saints Luke and Catherine of Alexandria (c.The Presentation of the Virgin at the Temple (1534–1538).Madonna and Child with Four Saints (c.The Virgin and Child with Saint George and Saint Dorothy (1516–1518).Mary with Child and Saints Stephen, Jerome and Mauritius (c.Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice (c.Venus and Musician (several versions, 1540s–1570s).Alfonso d'Avalos Addressing his Troops (1540).The Bacchanal of the Andrians (1523–1526).John Frederick I, Elector of Saxony (c.Pope Paul III and His Grandsons (1545-1546).Pope Paul III Wearing a Camauro (1545-1546).Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1503–1506).Titian's better known late depiction of Lucretia's rape by Tarquin was completed over 50 years later, in 1571 ( Fitzwilliam Museum, Cambridge). ![]() The Vienna version might have passed to the collection of Archduke Leopold Wilhelm of Austria. The painting in Vienna, or the other version still in the Royal Collection, may be the painting mentioned by Ridolfi in 1648 as being in the gallery of Charles I of England, whose Italian paintings mainly came from his purchase of the Gonzaga collection in Mantua. Most of these are " Giorgionesque" genre or tronie subjects where the subjects are anonymous. The painting can be seen as one of a number of Venetian paintings of the 1510s showing two or three half-length figures with heads close together, often with their expressions and interactions enigmatic. The robe's green is particularly bright, witnessing to the high quality of pigments available in Venice. As in other treatments of the subject, there are sensual elements, such as Lucretia's falling robe and almost-bared breast. Her face looks up to the divine illumination coming from above, giving her the strength to commit the act. The painting depicts Lucretia about to commit suicide to preserve her honour after disclosing her rape by Sextus Tarquinius the previous night, making her the model of Roman female virtus. If the figure is intended to be Tarquin, the setting must be the night before, with Lucretia perhaps making her plan. Her husband was present at her death, according to most of the differing Roman accounts of the story, and Tarquin was not. The Kunsthistorisches Museum now calls this figure Lucius Tarquinius Collatinus, Lucretia's husband, but the Royal Collection identifies him as her rapist, Sextus Tarquinius (known as Tarquin), as do most sources. However, the addition of a male figure just behind her is all but unique. Lucretia poised with a dagger, about to commit suicide, was becoming a very common subject in art. There is an early copy in the Royal Collection. However, others identify the painting as part of Titian's series of half-length female figures from 1514 to 1515, which also includes the Flora at the Uffizi, the Woman with a Mirror at the Louvre, the Violante and the Young woman in a black dress in Vienna, Vanity in Munich and the Salome at the Galleria Doria Pamphilj. The attribution to this artist is traditional but uncertain - the brightened palette suggests it could instead be by Palma Vecchio. Lucretia and her Husband Lucius Tarquinius Collatinus or Tarquin and Lucretia is an oil painting attributed to Titian, dated to around 1515 and now in the Kunsthistorisches Museum in Vienna. 1515 painting by Titian Lucretia and her Husband Lucius Tarquinius Collatinus
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